Posts Categorised: DIY/Projects

Wallpaper to grow up with …

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There are literally thousands of stunning wallpaper designs on the internet. Trust me, I’ve been looking around to find one for my daughters bedroom, that will carry her through from being 8 to her teens. The ones I have chosen for you to see are of course, quite loud, but I think they would add great character to a room – maybe with just one wall covered. I would probably make a plain roman blind to go with this one made by Pip Studio and for sale on Not on The Highstreet by FIFTY ONE PERCENT ( no, I’m not shouting, that’s how they write it ! ). Love all the bobbins and sewing paraphernalia. :)

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Whether it is because I am obsessed with flamingos or maybe my just in the genes – Mae loves them too so this is definitely a consideration. We are only going to do one wall – I know feature walls aren’t as trendy as they used to be but I think it works well in a kids room, especially if it’s not too big. She loves blue too so it could be the one !

This wallpaper is by Cole and Son and and for sale at WallPaper Direct.

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This may not be every girls cup of tea * sorry, I’ll get my coat * … but it’s so dainty and pretty and I am sure would look amazing up. How could you ever get bored of looking at it ? It’s a Brian Yates print on the Select Wallpapers website.

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More birds. A really vibrant print, again from Not on The Highstreet by a shop called Snuggle. It is made to order in 50cm squares. What do you think ?

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I fell in love with this wallpaper the first time I saw it. It would probably mean a lot more to adults than it would to the ‘ new generation ‘ but it’s very retro and kitsch. Mae likes kitsch. So we might be on to a winner. This Penguin library wallpaper is by Osborne and Little from John Lewis.

My taste is very LOUD when it comes to prints as you may know. But I think these are all perfect for a growing girls bedroom.

What are your thoughts ? Do you have a particular favourite print that you’ve seen recently ?

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Lucy x

Rustic Trends – Tactile Textures

I was doing a bit of searching around recently on t’internet for trends this year because we’ve been doing some work on our home.

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Rustic is a top trend for 2014 so I have put together some images of what I would use for a bathroom with tactile textures.

I really like this Cambridge Free Standing Bath from C. P. Hart Bathrooms. I would ideally have some exposed brickwork which really breaks up a room, adds extra character and accentuates the shape. I do have some in my sewing room but would’ve loved to been able to do this in the bathroom too. I do like a splash of colour so would go for a wooden floor – and would some boldness in the accessories – like this Liberty London floral fabric for the blinds and some chunky towels.

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The board is on my Pinterest ( I strongly recommend doing an inspiration board if you are thinking of designing a new room ) of how I would accessorise with this bath – and have added some of the pics to this post too.

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A lovely earthy candle scent would add to the overall feel of the room – and a few pops of colour dotted around against the white walls to finish it off and a heavy duty wire rack. I don’t think you can go wrong with an old style radiator – again, this one is by C. P Hart Bathrooms – who incidentally have a broad range of bathroom showrooms, ideal to gain some inspiration and get a true appreciation of the look and feel of their products. Also, for professional and interior designers, they have a trade section on their website that is well worth exploring. if you need some when you come to do your own bathroom.

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This post is in collaboration with C P hart – all opinions are my own.

Pocketful of dreams … Part 1

IMG_0464I’ve had a super fabulous mind bending, surreal time in New York this week. Had little time to prepare for it and was in there before I knew it.

Thought I’d take the opportunity to visit Andy out there as he was working at Madison Square Gardens. Got there late, dropped my suitcase off and ( and really late if you count the time difference ) – popped into the gig, met the band he’s working with and crew who were all lovely and then caught an hour of Muse. They were excellent – I forgot my camera though so I took a few instagram pictures instead.

It’s not the first time that I have been to the Big Apple, but it always feels like a film set when you step out onto the street. The energy is just what I needed at the moment ( more about that in part 2 ) and I find New Yorkers so engaging. NY1

As we only had a few days, we squeezed loads in – the first day we wandered down to the fashion district and went to Rosen and Chadick – a store of my fabric dreams ! Literally every type and colour that you can think of  – some I’ve never seen before. Great service too. I got a few – the leopard print is actually silk and feels sooo soft. I looked down at the pavement as we were walking away and spotted the Betsey Johnson plaque right there by my feet. I chose to study her work when I did a design course at London College of Fashion so it was quite apt, really. NY2

Then a cab ride to SoHo for some excellent Boutiques and a very sweet cafe called Smile for a little bit of lunch. American Apparel is everywhere in New York but I do love that shop so it was a treat ! I love their hoodies and finally got their shiny leopard print leggings that I’ve had my eye on for ages. How cool is the massive television below and the caravan ? They were in the Orla Kiely store. I can’t recall the name of the one with the eye balls for heads but couldn’t resist this pic ! IMG_0460

After a few hours we headed over to Brooklyn as I had tracked down a really good Barbers called TomCats on India Street who specialise in Vintage haircuts. Andy was in need of a cut and it was well worth the journey ! He has had a really good late 30s re style. The place was buzzing and the staff – really lovely. I just sat and people watched. IMG_0481IMG_0479IMG_0477

It was only a short walk to a boat ride from Brooklyn ( on the way I snapped some awesome graffiti – too many to add all ) to East 34th Street and then we walked back, freshened up and went out for some Japanese food at Monster Sushi. Great Bento box – very tasty ! IMG_0518
A few people had recommended 230 5th – a rooftop bar – and WOW the view was incredible. We sat and sipped cocktails and listened to some Ambient House music. They give robes to people if they get a bit chilly – it is heated up there but it was nice and cosy to wear one. We looked a bit like something from a Star Wars movie though… but, then again – so did everyone else.

Pretty much passed out in a jet lagged and Bellini induced world of sleep once we got back to the Hotel…. Zzzzzzz.

Part 2 coming tomorrow….

Have you been to New York or do you live there ? Which are your favourite places and stores ? …

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Make Roman Blinds – a Tutorial

As promised recently, having shown you my new sewing room roman blinds – here is a tutorial on how to make one for yourself. I’ve had some emails and tweets asking where my fabric is from – Kingdom Interiors and it’s Perroquet by Nina Campbell.

Before we get started, you will need:

Main fabric ( we will work out how much shortly.. )

Interlining ( Optional )

Blind lining fabric

Thread and sewing needle, scissors, pins, fabric chalk, tape measure, scissors, sewing machine, staple gun

Wooden baton cut to size inside or outside recess

Dowel rod and base bar – both of which you will need to cut to size.

Eye rings, blind cord, blind acorn, screw eyes and 1 cleat with screws.

All of these things should be obtainable from your local fabric shop, if not, try eBay.

Measuring up

Main fabric

You will either want the blind to sit inside or outside the recess. As you can see the one I made sits outside. You can do either as I have instructions here for both. Either way this tutorial is based on you using a 20 mm deep wooden baton. There are other methods but this is how I like to make them. If you are going outside the recess, the width of the window sill is your guide on how wide to make the blind and cut the baton.

Whether making for inside or outside the recess – measure vertically and horizontally , the top of the blinds will be stapled to the very top of the baton so remember to add allowances in the fabric length for this –  plus 5cm for a return at the top and 12 cm hem for the bottom. Each side of the blind will need 5cm return = 10cm total.

Work out all of these measurements below before buying your fabric to ensure you have enough – make sure too that your fabric width is wide enough for your window. Unless you have a plain fabric or a non obvious pattern you won’t be able to use the fabric sideways.

Horizontal: Desired width of finished blind + 2 x 5 cm ( 10 cm ) = Total width to cut.

Vertical:  length from very top of baton down to window ledge or desired finished drop + 17cm ( return and hem ) = Total length to cut.

NB. Before you cut, if the fabric has an obvious pattern – make sure you have decided on which parts of this you want to use and that you have it the right way up. In other words, frame in your mind the finished blind and how you want the it to look. I made sure on mine that the birds were as central as possible.

Interlining ( optional )

Same measurements as main fabric. I like to use this as it makes the blind more sturdy and it blocks out some light. You could use black out lining instead if you are making a bedroom blind – this will make your room much darker when they are down.

Lining fabric

Horizontal: Finished width + 4.5 cm either side ( 9cm ).

Vertical: Finished drop + 5cm return for top edge.

You will also be adding rod pockets to the lining – so will need to also add on 2.5 cm per pocket ( dependent on size – the larger the blind the more rod pockets will be required )

Putting your baton up

I recommend cutting to size and stapling the rough side of your velcro on to the top before doing this. You can always do it afterwards but if you have little space between baton and ceiling it will be trickier once it’s up.

Making the blind

Cut out your fabrics. Double check you have the right measurements ( above ) and go for it. Do the same with your lining fabric.

Starting with your main fabric – lay out flat with wrong side facing up. Place the interlining on top of the main fabric so that all corners match up and press both sides towards you by 5 cm. The interlining should be sitting inside the main fabric. Snip the corners ( see pic below ) off the interlining at the bottom of the blind to avoid too much bulk later when you mitre them ( you will see what I mean .. ). Then fold the lining fabric in by 5cm each side too and press.

Now, you need to work out where the rod pockets are to be sewn in on the lining fabric.

To give you an example – my blind has 3 rods and so is divided into 7 sections ( the number of sections is always the number of rod pockets multiplied by 2 then add 1 ) from the base of the screw eyes to the bottom of the finished blind is 121.5 cm so divide this by 7 and each section measures 17.4 cm – therefore the spacing between each rod pocket is 2 x 17.4 cm which = 34.8 cm.

Making sure the wrong side ( the side you have pressed the seams into ) of the lining is facing up Stick a pin where each rod pocket is going to be and then mark 125mm either side of each pin. One by one, fold and press each pocket so that the marks are facing each other ( each ” loop ” should total 2.5 cm ), press them and then machine sew all along the widths of the blind. You now have your rod pockets.

As above, lay out you main fabric ( if you have added interlining this should still be sitting inside ) with right side facing up. Lay the lining on top, wrong side up – checking that the top and bottoms of the main and lining fabric are adjacent and that the lining is placed centrally, you’ll find that the lining is just short in size of the main fabric – about 2.5 cm each side. Ease out any wrinkles, then mitre ( fold corners ) the bottoms of the main fabric inwards ( this is why you cut the the corners off the interlining ) so that they are the same width as the lining and pin to the main fabric. Machine sew a 1 cm line along the width off all of these layers to hold them together.

Turn the main fabric and lining out the other way so that the right side of of each is on the outsides. The interlining is now in the inside, still folded inside the main fabric. Pull the top of the lining up so that it matches the top of the main fabric and ease out any creases in all layers and then pin all along the top and sides. The recess bottom of the blind should look like this:

Give the blind a pressing all over. Double check for any creases because you are next going to machine sew a 1 cm line all along the top width of layers. Once you’ve done this, either machine or hand sew the soft side of the velcro all along the top of the wrong side of the blind ( above ).

Place the base bar inside the bottom of the blind. They generally come in metre lengths so you may need to cut to size.Now, from the very bottom of each side, herringbone stitch the reverse of the main blind to the lining. Don’t yet stitch up the rod pocket as you haven’t inserted them yet :)

Hand sew eye rings 5 cm in on each rod pocket and then space others in between, depending on how many cords you are using vertically, to pull the blinds up ( I used 3 on my blind ) and then stab stitch just under each of the rod pockets. I tend to do two stitches as find it holds all layers together better, especially if you have interlining.

Insert your cut to size dowel rods and then sew up the ends of the rod pockets. 

Screw the screw eyes into the base of the baton. They need to be directly above the threads and one above the cleat – time to decide here if you want this to be on the left or right of the window. Screw the cleat in half way down the window ready.

On each bottom eye ring attach a cord by tying a knot and then thread up through each eye ring above then to the left or right, dependent on which side the cleat will be.

Putting the blind up

Velcro the blind together at the top. Now cut and thread the blind cords up through the relevant screw eyes above and then if going left thread all cords through each screw eye including the one above the cleat or vice versa if you are going right. Gently pull all cords down at the side so that the they are all taught at the back and threaded without any loose cords and then braid all cords together down the side ( this is for safety too ). Cut the braid where the cleat is and attach a weight on the end by threading the plait through and then knotting it underneath.

When you pull the braided cord the blind should pull up evenly ! It might take a few days to sit “right” so I recommend leaving it up for a few days for the folds to settle.

My new Design Room – Ta-da !

You may have noticed a lack of posts showing my makes recently, it’s been a transitional phase plus I have been doing alterations. Also, you might have heard me banging on and on about wanting a sewing room and then about it being on the way  – with the crescendo tweets of “I have a new space to sew.. finally !” – So I thought I would share my new love with you.

It is so much easier now to do dressmaking, the kitchen table just wasn’t cutting it anymore. A family friend who’s a carpenter made the craft block to my specifications which is amazeballs – now I don’t have to keep bending right over to draw patterns and pin clothes.

To have a permanent place for my machines feels like such a luxury, I’ve put pictures up and things around that inspire me – like this Magical Bunny lamp from MiaFleur. It was my Birthday present from Andy.

My Sister painted this old dresser top for me. She used two colours, one as the main and a green just peeping through where she distressed it. I really love it. If you are looking to have something up cycled look no further than Clare ! Email me if you want more details.

I made these blinds with Nina Campbell fabric from Kingdom Interiors. Look out very soon for a Roman blind tutorial, here on my blog if you fancy making one.

Hope you like my room ! Do you have space where you can work ? Or is it in the pipeline, like this was for AGES !

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Feel free to use my images – just please ping a link back to me here at LucyLovesYa.

INSPIRE ME – with Tatty Devine

Rosie_Harriet_TattyDevieToday is a good day. A really good day and I’m a little bit excited… because I am sharing my recent interview with the creators of a brand that I LOVE more than all the tea in China…

Rosie Wolfenden and Harriet Vine have made a big name for themselves over the last thirteen years as Co Founders and designers of cult jewellery brand Tatty Devine, creating the most unique, fun and clever pieces made from often from perspex, but also wood, veneer, leather and enamel.

Their designs are featured around the clock in magazines such as Vogue, Grazia, Elle, Cosmopolitan… and stand firm as one of United Kingdoms most original and exciting brands.

As it’s coming up to Christmas, I thought I might also mention their fab  “How to make jewellery with Tatty Devine” book – a really good idea for any crafty, jewellery loving people in your life. It’s 125 pages of creative inspiration and shows you how to transform any object into a new accessory and, what you will need to get started. At £12.99 I think it’s a very good price ! It’s on my list ! You will also find on their website that they sell stitching patterns and run jewellery making workshops too.

When you met at College, did you hit it off straight away ?

At Chelsea the year was split into 4 groups over 2 floors, Harriet and I were in different groups on different floors, so it look a while for us to become friends. In the second year the roof fell in on where I was living, I’d heard that Harriet had a spare room so I rang her up. Once I’d moved in we hit it of straight away.

 

 

 

 

 

You opened your first boutique on Brick Lane, thirteen years ago – did you know even then how loved and popular your brand would become ?

We had no idea ! We were just having so much fun and our criteria was to have a good time, make original things ( we just didn’t want to look like everyone else ) and not get ‘proper jobs’. We’ve stuck to all these things, although it could be argued that we now have proper jobs !

I can spot a ‘Tatty Devine’ piece a mile off.. what would you say makes your jewellery so unique and distinctive ?

I think its a few things, the first being that our techniques are unique to us as we have created and developed them, that we never want to go for the obvious – so I think there is always an unusualness to our jewellery and we like to think our jewellery is of the highest quality – which makes it stand out.

Do you have a current best seller ?

Other than the perennial name necklace we have been selling out of fox brooches and the Arrgh Necklace has been doing very well.


You have collaborated with lots of creative people so far, who would you love to work with next ? 

We’d love to work with Grayson Perry.

 

Where do you get your inspiration for new designs and how far ahead do you work on new seasonal pieces ?

We’re currently finishing off AW13, so for the non seasonal collections we tend to work3-6 months ahead.

Are you music fans ? If so, what do you like to listen to when designing ?

We love music, it’s always been central to what we do. When we’re designing we listen to whatever we are currently into, although there are always old favourites like Belle and Sebastian, Electrelane or ESG.

As well as making your products, you also run jewellery making workshops and sell a “How to make jewellery” book – what inspired this ?

We’ve always done events to celebrate Tatty Devine and get involved with the customer. Our customers just love anything experiential and at heart we are all about DIY so we thought it would be fantastic to do a book with making ideas and to support this with workshops to give people the chance to make some of the pieces with the Tatty team.

With your jewellery stocking in over 300 stores worldwide as well as your own, how do you make it all happen ?

We’ve got a team of 30 people that make it all happen. Harriet and I design and oversee everything, but then we have people making, packing, doing the admin, working in the shop and workshops, doing the press and marketing, the accounts, the customer care and someone to look after our wholesale customers and attend trade shows.

What do you love most about  being designers and having your own business ?

The freedom to do what we want to do and the joy of making people happy with our jewellery.

 

What are your career highlights to date ?

Opening our shop in Covent Garden, the pop up in Selfridges and working with people like Rob Ryan, Gilbert and George and Tate.

 

Can you offer advice to anyone reading this who has a unique brand idea but doesn’t know where to start ?

Start small, let it develop organically and put all your energy and enthusiasm into it. Most importantly have faith in your idea and in yourself.

What can we expect next from Tatty Devine? Personally, I can’t wait…. :)

So much, 2013 is going to be a very exciting year.

Highly inspirational stuff and thanks so much to them both for taking the time out for a little chat. Here’s hoping for a Grayson Perry collaboration soon !

Do you have a favourite Tatty Devine design ? Please do leave me a comment below and spill the beans… ? :)

Follow Tatty Devine on Twitter, Become a fan on Facebook and you can see an abundance of cool jewellery, learn more about their workshops.. oh, and check out the brill book on their website.

All images copyright Tatty Devine 2012.

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My home made 50s wedding dress…

Wedding 2As I may have mentioned *ahem*.. a few moths ago, Andy and I got married.

I’m not sure what possessed me at the time to want to make my own dress in only a few months, but I’m glad I did. It was a really great experience and I learnt so much about dressmaking.

I was lucky to have some help from Sarah Belinda who knows loads about wedding dresses – it was invaluable, let me tell you !

My hair flower was from Rose Garden Accessories and the heels –  Rachel Simpson.

Our wedding photographer was Laura Babb she was really great to have around. Have a peek at her site..

Wedding1Of course there was the little issue of needing to make three little bridesmaid dresses too….

One night whilst sitting at my sewing machine, literally covered in silk dupion threads I did question my sanity…. but got there in the end !

Andy wore a Paul Smith suit – he looked very handsome and rather retro :)

Wedding 6We got married at The Theatre Royal Bury in St Edmunds and it was an amazing day. The crew were so helpful. We chose this venue partly because it felt right as both of us come from an entertainment background *jazz hands* although it was quite low key and easy going really.

The wedding was inspired by the 50s, my love of kitsch and of course the theatre itself… Dahhhling :)

Our light up letters hired from the super lovely company Vowed and Amazed..

The main thing for us was that everyone felt at ease and that we avoided doing anything that was alien to us. It’s sometimes hard when you’re in the thick of it but it’s important to be yourselves… in my opinion.

Weddign 3How clever is my friend Juliet ? The cake she made for us was just so amazing. The stage looked really effective once the curtains were back with the pom poms and disco balls hovering above us all whilst we ate curry and then some theatre ice creams…. :)Miserable Man sang at the ceremony and he was brilliant. So chilled. I really recommend our band later in the evening too – Ready Steady Go.

Wedding7Hope you like these pics ? :)

If you’re thinking of making your own dress and want some tips – get in touch..

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 All Photography Copyright Laura Babb 2012.

INSPIRE ME – with Beauvamp.

Screen Shot 2014-10-22 at 15.00.19I’ve made no secret of the fact that I really like this brilliant company. My Beauvamp lampshade gets more attention than me, which is fine :) because it’s a real feature and I love it.

Alice, owner of Beauvamp specialises in making one off and limited edition pieces and everyone is unique because they are handmade. Her designs have featured on BBC2 and she has been working on some other really interesting projects recently too… I find her work very inspirational. p00pk9cp

Alice, I think you have a great eye for colour, is this something you’ve always had?

Well, I’ve always loved colour and as much of it as possible. I like a real mish mash and don’t shy away from a good clash! Big splashes of colour can brighten up your day and are great to have dotted around the home. I tend to keep my walls and furniture in pale colours such as white, greys and creams, this helps to really make your colours jump out from the crowd.

Did you study textiles or design?

Not straight away. I used to work in the events industry putting proposals forward for corporate client events, such as set and stage design, team building activities and theming ideas, which was fun but only ideas on paper. I actually decided that I wanted to design and make for myself and see the finished product. I have been interested in interiors since before I can remember and was forever changing my bedroom furniture around as a kid and decorating my walls with all sorts of nik naks. Design was always my favourite subject at school but then ventured off into marketing and events later realising I was destined to come full circle. I eventually set off on a furniture renovation course learning all the tricks of the trade and two years later, BeauVamp was born in 2007. It’s been great to be able to set up my own business working from my home in Derbyshire whilst having enough time to also spend with my 2 boys. I have 2 workshops and a fab sun room in the house from which to create my designs.

Where do you get the inspiration for your wonderful pattern and colour combinations?

All sorts of places. Travelling through India and across South East Asia was a real eye opener with amazing fabric patterns and colour combinations in the local markets. Catwalk fashion from the 40’s right through to the present day along with interior and craft magazines are another great source for seeing what’s evolving and new out there and then creating your own take on things.

How long does it take to create each lampshade?

It really depends on the design, but I usually spend over 2 days preparing and making a standard lampshade with just one fabric and trim. Lampshades with more fabrics and fringing can take longer.

Working in a patchwork method I mainly apply a range of fabrics over the top of a sound base fabric, this allows all sorts of light weight fabrics to cover the shade that would not normally be suitable if using the old and traditional method of stretching. Working in this way means I can really play around with the fabric patterns for example when working with stripes, each panel can be cut to a different angle, i.e. horizontally, diagonally, vertically and so on. Or a number of different patterned fabrics can be applied to just one shade. There are an abundance of fringing options available from hand sewing my own ruffle trim in fabric to applying glass beading, tassels, feathers, pom poms, the choice is never ending, a real wonderland mix! BV2
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I’d love to know more about the vintage lampstands that you revamp?

Yeah, I have been working on these more recently and have attached a few pictures for you to see. I salvage original vintage stands and recondition them. I have them professionally re-wired if needed and then prepare them for paints and fabrics. Paints used are usually from the Farrow & Ball or Little Greene collections and then the fabrics are applied again in a patchwork manner using a fabric adhesive. The fabric is then coated in a special matt sealant that makes the fabric hardwearing.

Do you have lots of interesting commissions coming up?

Well, I’ve just finished some exciting projects, one of them being the new Zizzi restaurant in Victoria, London, where I got to work with B3 Designers on providing the lighting ( pictures attached). I’ve been told they are submitting the restaurant into the Restaurant and Bar Design Awards, so that’s all very exciting and I wish them the best of luck. http://www.restaurantandbardesignawards.com/

I’ve also been busy producing lampshades for the recently featured Ann Robinson Show on BB2, My Life In Books. http://www.bbc.co.uk/programmes/b01czf06

I also have a few more potential projects in the pipeline for a pub chain and hope to be launching my new online shop shortly www.beauvamp.com …… watch this space! Please note in the mean time all my current stock can be viewed on the following link www.notonthehighstreet.com/beauvamp

If anyone has any question or ideas they would like to discuss just drop me line at alice@beauvamp.com and I will be glad to assist.

Thanks Alice. A very clever woman ! :)

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