Posts Categorised: News

My Guest Post for Artist – Jessica Zoob

jessica zoob artist A quick update to tell you about my guest post on the very talented artist Jesssica Zoob’s blog. She very kindly asked me to write about LucyLovesYa.

Jessica Zoob trained at Central School of Art and Nottingham University and worked as a theatre designer for 7 years at venues such as The Royal National Theatre and Bristol Old Vic. For 14 years now though she has worked exclusively as a contemporary artist from her home and studio in Sussex. She exhibits around London regularly and her work is shown worldwide in private collections. Not only that – you will often spot her designs in stores. Just recently I saw some amazing cushions with her artwork on them in John Lewis.

artist jessica zoob I love Jessica’s style and find her use of colour really emotive. It’s easy to lose yourself in her creations, I think it’s partly because of the different textures she uses in the process. I could stare at her paintings for hours and each time I see something different and unique.

If you’d like to see or read more about Jessica Zoob then click here for the website.

My post can be found here.

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All images copyright of Jessica Zoob 2014.

Alternative DJ decks inspiration – you have to stand for something

retro drinks cabinet bar for dj decks

We’re looking out for something to put our decks on at the moment – some alternative DJ decks inspiration is on the cards.

A long time ago I had a stand made up out of wood but this is now spoken for, covered in my kids art and craft stuff. You can buy DJ stands for vinyl but we are after something a bit kitsch so that we can have it the living room. :) I’ve had a little look online for starters and found a few pieces.

Love the retro drinks cabinet on Ebay, above. I reckon we could squeeze the decks on to it and it would fit in a corner quite well.

dj record stand

The retro legs on this console do it for me – shame this is in the States ! It’s a nice piece to have in your home. I found it on Etsy.

dj decks stand

This Soundbase stand is similar to the one we originally had made up. Simple design but probably the most practical.

dj decks stand

Something that needs a bit of TLC would be nice too, plus you could store the vinyl underneath this one.

Nowadays, lots of people use DJ software or CDs much more which is understandable as it takes up much less room but I will always be an ‘old skool’ record lover because the sound is like nothing else. It’s also the feel of the vinyl and the beautiful artwork on albums. I feel they should never be hidden away. Some of the designs are just beautiful.

If you have any ideas on stands – send them my way … and while we’re on the topic of music, what was the first record you ever bought ? Leave me a comment under this post or tweet @lucylovesyablog.

You can find more of my inspirations and ideas over on my Pinterest and Instagram pages.

Make Roman Blinds – a Tutorial

As promised recently, having shown you my new sewing room roman blinds – here is a tutorial on how to make one for yourself. I’ve had some emails and tweets asking where my fabric is from – Kingdom Interiors and it’s Perroquet by Nina Campbell.

Before we get started, you will need:

Main fabric ( we will work out how much shortly.. )

Interlining ( Optional )

Blind lining fabric

Thread and sewing needle, scissors, pins, fabric chalk, tape measure, scissors, sewing machine, staple gun

Wooden baton cut to size inside or outside recess

Dowel rod and base bar – both of which you will need to cut to size.

Eye rings, blind cord, blind acorn, screw eyes and 1 cleat with screws.

All of these things should be obtainable from your local fabric shop, if not, try eBay.

Measuring up

Main fabric

You will either want the blind to sit inside or outside the recess. As you can see the one I made sits outside. You can do either as I have instructions here for both. Either way this tutorial is based on you using a 20 mm deep wooden baton. There are other methods but this is how I like to make them. If you are going outside the recess, the width of the window sill is your guide on how wide to make the blind and cut the baton.

Whether making for inside or outside the recess – measure vertically and horizontally , the top of the blinds will be stapled to the very top of the baton so remember to add allowances in the fabric length for this –  plus 5cm for a return at the top and 12 cm hem for the bottom. Each side of the blind will need 5cm return = 10cm total.

Work out all of these measurements below before buying your fabric to ensure you have enough – make sure too that your fabric width is wide enough for your window. Unless you have a plain fabric or a non obvious pattern you won’t be able to use the fabric sideways.

Horizontal: Desired width of finished blind + 2 x 5 cm ( 10 cm ) = Total width to cut.

Vertical:  length from very top of baton down to window ledge or desired finished drop + 17cm ( return and hem ) = Total length to cut.

NB. Before you cut, if the fabric has an obvious pattern – make sure you have decided on which parts of this you want to use and that you have it the right way up. In other words, frame in your mind the finished blind and how you want the it to look. I made sure on mine that the birds were as central as possible.

Interlining ( optional )

Same measurements as main fabric. I like to use this as it makes the blind more sturdy and it blocks out some light. You could use black out lining instead if you are making a bedroom blind – this will make your room much darker when they are down.

Lining fabric

Horizontal: Finished width + 4.5 cm either side ( 9cm ).

Vertical: Finished drop + 5cm return for top edge.

You will also be adding rod pockets to the lining – so will need to also add on 2.5 cm per pocket ( dependent on size – the larger the blind the more rod pockets will be required )

Putting your baton up

I recommend cutting to size and stapling the rough side of your velcro on to the top before doing this. You can always do it afterwards but if you have little space between baton and ceiling it will be trickier once it’s up.

Making the blind

Cut out your fabrics. Double check you have the right measurements ( above ) and go for it. Do the same with your lining fabric.

Starting with your main fabric – lay out flat with wrong side facing up. Place the interlining on top of the main fabric so that all corners match up and press both sides towards you by 5 cm. The interlining should be sitting inside the main fabric. Snip the corners ( see pic below ) off the interlining at the bottom of the blind to avoid too much bulk later when you mitre them ( you will see what I mean .. ). Then fold the lining fabric in by 5cm each side too and press.

Now, you need to work out where the rod pockets are to be sewn in on the lining fabric.

To give you an example – my blind has 3 rods and so is divided into 7 sections ( the number of sections is always the number of rod pockets multiplied by 2 then add 1 ) from the base of the screw eyes to the bottom of the finished blind is 121.5 cm so divide this by 7 and each section measures 17.4 cm – therefore the spacing between each rod pocket is 2 x 17.4 cm which = 34.8 cm.

Making sure the wrong side ( the side you have pressed the seams into ) of the lining is facing up Stick a pin where each rod pocket is going to be and then mark 125mm either side of each pin. One by one, fold and press each pocket so that the marks are facing each other ( each ” loop ” should total 2.5 cm ), press them and then machine sew all along the widths of the blind. You now have your rod pockets.

As above, lay out you main fabric ( if you have added interlining this should still be sitting inside ) with right side facing up. Lay the lining on top, wrong side up – checking that the top and bottoms of the main and lining fabric are adjacent and that the lining is placed centrally, you’ll find that the lining is just short in size of the main fabric – about 2.5 cm each side. Ease out any wrinkles, then mitre ( fold corners ) the bottoms of the main fabric inwards ( this is why you cut the the corners off the interlining ) so that they are the same width as the lining and pin to the main fabric. Machine sew a 1 cm line along the width off all of these layers to hold them together.

Turn the main fabric and lining out the other way so that the right side of of each is on the outsides. The interlining is now in the inside, still folded inside the main fabric. Pull the top of the lining up so that it matches the top of the main fabric and ease out any creases in all layers and then pin all along the top and sides. The recess bottom of the blind should look like this:

Give the blind a pressing all over. Double check for any creases because you are next going to machine sew a 1 cm line all along the top width of layers. Once you’ve done this, either machine or hand sew the soft side of the velcro all along the top of the wrong side of the blind ( above ).

Place the base bar inside the bottom of the blind. They generally come in metre lengths so you may need to cut to size.Now, from the very bottom of each side, herringbone stitch the reverse of the main blind to the lining. Don’t yet stitch up the rod pocket as you haven’t inserted them yet :)

Hand sew eye rings 5 cm in on each rod pocket and then space others in between, depending on how many cords you are using vertically, to pull the blinds up ( I used 3 on my blind ) and then stab stitch just under each of the rod pockets. I tend to do two stitches as find it holds all layers together better, especially if you have interlining.

Insert your cut to size dowel rods and then sew up the ends of the rod pockets. 

Screw the screw eyes into the base of the baton. They need to be directly above the threads and one above the cleat – time to decide here if you want this to be on the left or right of the window. Screw the cleat in half way down the window ready.

On each bottom eye ring attach a cord by tying a knot and then thread up through each eye ring above then to the left or right, dependent on which side the cleat will be.

Putting the blind up

Velcro the blind together at the top. Now cut and thread the blind cords up through the relevant screw eyes above and then if going left thread all cords through each screw eye including the one above the cleat or vice versa if you are going right. Gently pull all cords down at the side so that the they are all taught at the back and threaded without any loose cords and then braid all cords together down the side ( this is for safety too ). Cut the braid where the cleat is and attach a weight on the end by threading the plait through and then knotting it underneath.

When you pull the braided cord the blind should pull up evenly ! It might take a few days to sit “right” so I recommend leaving it up for a few days for the folds to settle.

My new Design Room – Ta-da !

You may have noticed a lack of posts showing my makes recently, it’s been a transitional phase plus I have been doing alterations. Also, you might have heard me banging on and on about wanting a sewing room and then about it being on the way  – with the crescendo tweets of “I have a new space to sew.. finally !” – So I thought I would share my new love with you.

It is so much easier now to do dressmaking, the kitchen table just wasn’t cutting it anymore. A family friend who’s a carpenter made the craft block to my specifications which is amazeballs – now I don’t have to keep bending right over to draw patterns and pin clothes.

To have a permanent place for my machines feels like such a luxury, I’ve put pictures up and things around that inspire me – like this Magical Bunny lamp from MiaFleur. It was my Birthday present from Andy.

My Sister painted this old dresser top for me. She used two colours, one as the main and a green just peeping through where she distressed it. I really love it. If you are looking to have something up cycled look no further than Clare ! Email me if you want more details.

I made these blinds with Nina Campbell fabric from Kingdom Interiors. Look out very soon for a Roman blind tutorial, here on my blog if you fancy making one.

Hope you like my room ! Do you have space where you can work ? Or is it in the pipeline, like this was for AGES !

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Feel free to use my images – just please ping a link back to me here at LucyLovesYa.

INSPIRE ME – with Tatty Devine

Rosie_Harriet_TattyDevieToday is a good day. A really good day and I’m a little bit excited… because I am sharing my recent interview with the creators of a brand that I LOVE more than all the tea in China…

Rosie Wolfenden and Harriet Vine have made a big name for themselves over the last thirteen years as Co Founders and designers of cult jewellery brand Tatty Devine, creating the most unique, fun and clever pieces made from often from perspex, but also wood, veneer, leather and enamel.

Their designs are featured around the clock in magazines such as Vogue, Grazia, Elle, Cosmopolitan… and stand firm as one of United Kingdoms most original and exciting brands.

As it’s coming up to Christmas, I thought I might also mention their fab  “How to make jewellery with Tatty Devine” book – a really good idea for any crafty, jewellery loving people in your life. It’s 125 pages of creative inspiration and shows you how to transform any object into a new accessory and, what you will need to get started. At £12.99 I think it’s a very good price ! It’s on my list ! You will also find on their website that they sell stitching patterns and run jewellery making workshops too.

When you met at College, did you hit it off straight away ?

At Chelsea the year was split into 4 groups over 2 floors, Harriet and I were in different groups on different floors, so it look a while for us to become friends. In the second year the roof fell in on where I was living, I’d heard that Harriet had a spare room so I rang her up. Once I’d moved in we hit it of straight away.

 

 

 

 

 

You opened your first boutique on Brick Lane, thirteen years ago – did you know even then how loved and popular your brand would become ?

We had no idea ! We were just having so much fun and our criteria was to have a good time, make original things ( we just didn’t want to look like everyone else ) and not get ‘proper jobs’. We’ve stuck to all these things, although it could be argued that we now have proper jobs !

I can spot a ‘Tatty Devine’ piece a mile off.. what would you say makes your jewellery so unique and distinctive ?

I think its a few things, the first being that our techniques are unique to us as we have created and developed them, that we never want to go for the obvious – so I think there is always an unusualness to our jewellery and we like to think our jewellery is of the highest quality – which makes it stand out.

Do you have a current best seller ?

Other than the perennial name necklace we have been selling out of fox brooches and the Arrgh Necklace has been doing very well.


You have collaborated with lots of creative people so far, who would you love to work with next ? 

We’d love to work with Grayson Perry.

 

Where do you get your inspiration for new designs and how far ahead do you work on new seasonal pieces ?

We’re currently finishing off AW13, so for the non seasonal collections we tend to work3-6 months ahead.

Are you music fans ? If so, what do you like to listen to when designing ?

We love music, it’s always been central to what we do. When we’re designing we listen to whatever we are currently into, although there are always old favourites like Belle and Sebastian, Electrelane or ESG.

As well as making your products, you also run jewellery making workshops and sell a “How to make jewellery” book – what inspired this ?

We’ve always done events to celebrate Tatty Devine and get involved with the customer. Our customers just love anything experiential and at heart we are all about DIY so we thought it would be fantastic to do a book with making ideas and to support this with workshops to give people the chance to make some of the pieces with the Tatty team.

With your jewellery stocking in over 300 stores worldwide as well as your own, how do you make it all happen ?

We’ve got a team of 30 people that make it all happen. Harriet and I design and oversee everything, but then we have people making, packing, doing the admin, working in the shop and workshops, doing the press and marketing, the accounts, the customer care and someone to look after our wholesale customers and attend trade shows.

What do you love most about  being designers and having your own business ?

The freedom to do what we want to do and the joy of making people happy with our jewellery.

 

What are your career highlights to date ?

Opening our shop in Covent Garden, the pop up in Selfridges and working with people like Rob Ryan, Gilbert and George and Tate.

 

Can you offer advice to anyone reading this who has a unique brand idea but doesn’t know where to start ?

Start small, let it develop organically and put all your energy and enthusiasm into it. Most importantly have faith in your idea and in yourself.

What can we expect next from Tatty Devine? Personally, I can’t wait…. :)

So much, 2013 is going to be a very exciting year.

Highly inspirational stuff and thanks so much to them both for taking the time out for a little chat. Here’s hoping for a Grayson Perry collaboration soon !

Do you have a favourite Tatty Devine design ? Please do leave me a comment below and spill the beans… ? :)

Follow Tatty Devine on Twitter, Become a fan on Facebook and you can see an abundance of cool jewellery, learn more about their workshops.. oh, and check out the brill book on their website.

All images copyright Tatty Devine 2012.

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