Posts Categorised: News

Make Roman Blinds – a Tutorial

As promised recently, having shown you my new sewing room roman blinds – here is a tutorial on how to make one for yourself. I’ve had some emails and tweets asking where my fabric is from – Kingdom Interiors and it’s Perroquet by Nina Campbell.

Before we get started, you will need:

Main fabric ( we will work out how much shortly.. )

Interlining ( Optional )

Blind lining fabric

Thread and sewing needle, scissors, pins, fabric chalk, tape measure, scissors, sewing machine, staple gun

Wooden baton cut to size inside or outside recess

Dowel rod and base bar – both of which you will need to cut to size.

Eye rings, blind cord, blind acorn, screw eyes and 1 cleat with screws.

All of these things should be obtainable from your local fabric shop, if not, try eBay.

Measuring up

Main fabric

You will either want the blind to sit inside or outside the recess. As you can see the one I made sits outside. You can do either as I have instructions here for both. Either way this tutorial is based on you using a 20 mm deep wooden baton. There are other methods but this is how I like to make them. If you are going outside the recess, the width of the window sill is your guide on how wide to make the blind and cut the baton.

Whether making for inside or outside the recess – measure vertically and horizontally , the top of the blinds will be stapled to the very top of the baton so remember to add allowances in the fabric length for this –  plus 5cm for a return at the top and 12 cm hem for the bottom. Each side of the blind will need 5cm return = 10cm total.

Work out all of these measurements below before buying your fabric to ensure you have enough – make sure too that your fabric width is wide enough for your window. Unless you have a plain fabric or a non obvious pattern you won’t be able to use the fabric sideways.

Horizontal: Desired width of finished blind + 2 x 5 cm ( 10 cm ) = Total width to cut.

Vertical:  length from very top of baton down to window ledge or desired finished drop + 17cm ( return and hem ) = Total length to cut.

NB. Before you cut, if the fabric has an obvious pattern – make sure you have decided on which parts of this you want to use and that you have it the right way up. In other words, frame in your mind the finished blind and how you want the it to look. I made sure on mine that the birds were as central as possible.

Interlining ( optional )

Same measurements as main fabric. I like to use this as it makes the blind more sturdy and it blocks out some light. You could use black out lining instead if you are making a bedroom blind – this will make your room much darker when they are down.

Lining fabric

Horizontal: Finished width + 4.5 cm either side ( 9cm ).

Vertical: Finished drop + 5cm return for top edge.

You will also be adding rod pockets to the lining – so will need to also add on 2.5 cm per pocket ( dependent on size – the larger the blind the more rod pockets will be required )

Putting your baton up

I recommend cutting to size and stapling the rough side of your velcro on to the top before doing this. You can always do it afterwards but if you have little space between baton and ceiling it will be trickier once it’s up.

Making the blind

Cut out your fabrics. Double check you have the right measurements ( above ) and go for it. Do the same with your lining fabric.

Starting with your main fabric – lay out flat with wrong side facing up. Place the interlining on top of the main fabric so that all corners match up and press both sides towards you by 5 cm. The interlining should be sitting inside the main fabric. Snip the corners ( see pic below ) off the interlining at the bottom of the blind to avoid too much bulk later when you mitre them ( you will see what I mean .. ). Then fold the lining fabric in by 5cm each side too and press.

Now, you need to work out where the rod pockets are to be sewn in on the lining fabric.

To give you an example – my blind has 3 rods and so is divided into 7 sections ( the number of sections is always the number of rod pockets multiplied by 2 then add 1 ) from the base of the screw eyes to the bottom of the finished blind is 121.5 cm so divide this by 7 and each section measures 17.4 cm – therefore the spacing between each rod pocket is 2 x 17.4 cm which = 34.8 cm.

Making sure the wrong side ( the side you have pressed the seams into ) of the lining is facing up Stick a pin where each rod pocket is going to be and then mark 125mm either side of each pin. One by one, fold and press each pocket so that the marks are facing each other ( each ” loop ” should total 2.5 cm ), press them and then machine sew all along the widths of the blind. You now have your rod pockets.

As above, lay out you main fabric ( if you have added interlining this should still be sitting inside ) with right side facing up. Lay the lining on top, wrong side up – checking that the top and bottoms of the main and lining fabric are adjacent and that the lining is placed centrally, you’ll find that the lining is just short in size of the main fabric – about 2.5 cm each side. Ease out any wrinkles, then mitre ( fold corners ) the bottoms of the main fabric inwards ( this is why you cut the the corners off the interlining ) so that they are the same width as the lining and pin to the main fabric. Machine sew a 1 cm line along the width off all of these layers to hold them together.

Turn the main fabric and lining out the other way so that the right side of of each is on the outsides. The interlining is now in the inside, still folded inside the main fabric. Pull the top of the lining up so that it matches the top of the main fabric and ease out any creases in all layers and then pin all along the top and sides. The recess bottom of the blind should look like this:

Give the blind a pressing all over. Double check for any creases because you are next going to machine sew a 1 cm line all along the top width of layers. Once you’ve done this, either machine or hand sew the soft side of the velcro all along the top of the wrong side of the blind ( above ).

Place the base bar inside the bottom of the blind. They generally come in metre lengths so you may need to cut to size.Now, from the very bottom of each side, herringbone stitch the reverse of the main blind to the lining. Don’t yet stitch up the rod pocket as you haven’t inserted them yet :)

Hand sew eye rings 5 cm in on each rod pocket and then space others in between, depending on how many cords you are using vertically, to pull the blinds up ( I used 3 on my blind ) and then stab stitch just under each of the rod pockets. I tend to do two stitches as find it holds all layers together better, especially if you have interlining.

Insert your cut to size dowel rods and then sew up the ends of the rod pockets. 

Screw the screw eyes into the base of the baton. They need to be directly above the threads and one above the cleat – time to decide here if you want this to be on the left or right of the window. Screw the cleat in half way down the window ready.

On each bottom eye ring attach a cord by tying a knot and then thread up through each eye ring above then to the left or right, dependent on which side the cleat will be.

Putting the blind up

Velcro the blind together at the top. Now cut and thread the blind cords up through the relevant screw eyes above and then if going left thread all cords through each screw eye including the one above the cleat or vice versa if you are going right. Gently pull all cords down at the side so that the they are all taught at the back and threaded without any loose cords and then braid all cords together down the side ( this is for safety too ). Cut the braid where the cleat is and attach a weight on the end by threading the plait through and then knotting it underneath.

When you pull the braided cord the blind should pull up evenly ! It might take a few days to sit “right” so I recommend leaving it up for a few days for the folds to settle.

My new Design Room – Ta-da !

You may have noticed a lack of posts showing my makes recently, it’s been a transitional phase plus I have been doing alterations. Also, you might have heard me banging on and on about wanting a sewing room and then about it being on the way  – with the crescendo tweets of “I have a new space to sew.. finally !” – So I thought I would share my new love with you.

It is so much easier now to do dressmaking, the kitchen table just wasn’t cutting it anymore. A family friend who’s a carpenter made the craft block to my specifications which is amazeballs – now I don’t have to keep bending right over to draw patterns and pin clothes.

To have a permanent place for my machines feels like such a luxury, I’ve put pictures up and things around that inspire me – like this Magical Bunny lamp from MiaFleur. It was my Birthday present from Andy.

My Sister painted this old dresser top for me. She used two colours, one as the main and a green just peeping through where she distressed it. I really love it. If you are looking to have something up cycled look no further than Clare ! Email me if you want more details.

I made these blinds with Nina Campbell fabric from Kingdom Interiors. Look out very soon for a Roman blind tutorial, here on my blog if you fancy making one.

Hope you like my room ! Do you have space where you can work ? Or is it in the pipeline, like this was for AGES !

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Feel free to use my images – just please ping a link back to me here at LucyLovesYa.

INSPIRE ME – with Tatty Devine

Rosie_Harriet_TattyDevieToday is a good day. A really good day and I’m a little bit excited… because I am sharing my recent interview with the creators of a brand that I LOVE more than all the tea in China…

Rosie Wolfenden and Harriet Vine have made a big name for themselves over the last thirteen years as Co Founders and designers of cult jewellery brand Tatty Devine, creating the most unique, fun and clever pieces made from often from perspex, but also wood, veneer, leather and enamel.

Their designs are featured around the clock in magazines such as Vogue, Grazia, Elle, Cosmopolitan… and stand firm as one of United Kingdoms most original and exciting brands.

As it’s coming up to Christmas, I thought I might also mention their fab  “How to make jewellery with Tatty Devine” book – a really good idea for any crafty, jewellery loving people in your life. It’s 125 pages of creative inspiration and shows you how to transform any object into a new accessory and, what you will need to get started. At £12.99 I think it’s a very good price ! It’s on my list ! You will also find on their website that they sell stitching patterns and run jewellery making workshops too.

When you met at College, did you hit it off straight away ?

At Chelsea the year was split into 4 groups over 2 floors, Harriet and I were in different groups on different floors, so it look a while for us to become friends. In the second year the roof fell in on where I was living, I’d heard that Harriet had a spare room so I rang her up. Once I’d moved in we hit it of straight away.

 

 

 

 

 

You opened your first boutique on Brick Lane, thirteen years ago – did you know even then how loved and popular your brand would become ?

We had no idea ! We were just having so much fun and our criteria was to have a good time, make original things ( we just didn’t want to look like everyone else ) and not get ‘proper jobs’. We’ve stuck to all these things, although it could be argued that we now have proper jobs !

I can spot a ‘Tatty Devine’ piece a mile off.. what would you say makes your jewellery so unique and distinctive ?

I think its a few things, the first being that our techniques are unique to us as we have created and developed them, that we never want to go for the obvious – so I think there is always an unusualness to our jewellery and we like to think our jewellery is of the highest quality – which makes it stand out.

Do you have a current best seller ?

Other than the perennial name necklace we have been selling out of fox brooches and the Arrgh Necklace has been doing very well.


You have collaborated with lots of creative people so far, who would you love to work with next ? 

We’d love to work with Grayson Perry.

 

Where do you get your inspiration for new designs and how far ahead do you work on new seasonal pieces ?

We’re currently finishing off AW13, so for the non seasonal collections we tend to work3-6 months ahead.

Are you music fans ? If so, what do you like to listen to when designing ?

We love music, it’s always been central to what we do. When we’re designing we listen to whatever we are currently into, although there are always old favourites like Belle and Sebastian, Electrelane or ESG.

As well as making your products, you also run jewellery making workshops and sell a “How to make jewellery” book – what inspired this ?

We’ve always done events to celebrate Tatty Devine and get involved with the customer. Our customers just love anything experiential and at heart we are all about DIY so we thought it would be fantastic to do a book with making ideas and to support this with workshops to give people the chance to make some of the pieces with the Tatty team.

With your jewellery stocking in over 300 stores worldwide as well as your own, how do you make it all happen ?

We’ve got a team of 30 people that make it all happen. Harriet and I design and oversee everything, but then we have people making, packing, doing the admin, working in the shop and workshops, doing the press and marketing, the accounts, the customer care and someone to look after our wholesale customers and attend trade shows.

What do you love most about  being designers and having your own business ?

The freedom to do what we want to do and the joy of making people happy with our jewellery.

 

What are your career highlights to date ?

Opening our shop in Covent Garden, the pop up in Selfridges and working with people like Rob Ryan, Gilbert and George and Tate.

 

Can you offer advice to anyone reading this who has a unique brand idea but doesn’t know where to start ?

Start small, let it develop organically and put all your energy and enthusiasm into it. Most importantly have faith in your idea and in yourself.

What can we expect next from Tatty Devine? Personally, I can’t wait…. :)

So much, 2013 is going to be a very exciting year.

Highly inspirational stuff and thanks so much to them both for taking the time out for a little chat. Here’s hoping for a Grayson Perry collaboration soon !

Do you have a favourite Tatty Devine design ? Please do leave me a comment below and spill the beans… ? :)

Follow Tatty Devine on Twitter, Become a fan on Facebook and you can see an abundance of cool jewellery, learn more about their workshops.. oh, and check out the brill book on their website.

All images copyright Tatty Devine 2012.

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INSPIRE ME – with Chie Mihara

91There are certain shoe designers who radiate individuality within their work. To be able to do this – and mix it up with beauty and vintage inspiration is my idea of heaven !

Chie Mihara started out in 2002 and now ten years on, stocks her shoes, boots and sandals with over one thousand clients worldwide, including Selfridges in the United Kingdom and Neiman Marcus in the United States. She even has a really pretty and distinctive bridal range.

I have been a bit of a fan of Chie Mihara for some time, so am pleased to be sharing some of her inspirations with you today…

How did you originally get into shoe design ? Was it always a dream of yours ?

I was always into fashion. For me, shoes was a big unhappy story because I could never find a shoe that I liked for my 40 feet… but never thought I would be a shoe designer !!

Being into fashion takes you to all it’s areas.

Can you tell me the process from design to actual fruition ?

The longest process is the searching. I go to the shoe museum and look for images from different decades, also look for my fashion and accessories book archive I hold in my studio, do trips to Paris, Milan and look around what´s cooking…shops, movies, music, everything is feeding your mind with information.

Later I start defining last shapes, heel shapes, soles, platforms…go to leather fairs in Milan and Paris to see and buy from the tanneries. Once you get all these information you can start drawing…that can take three to four weeks…

Then you pass the catalogue finished with all details to the factory, once the patterns are made. The factory makes the samples and now we are ready to show to our customers from all around the world. we do fifteen to eighteen fairs per season and from the selling season we go to production time, that could take another three to four months until the stores would receive the goods to sell.. shoes

How many seasons ahead are you with your designing ? 

I finished summer 2013 a few months ago.  Right now for example, I am working on the fall 2013 /14 wich will be shown in fairs of early december through march and the shops will have it delivered by July / August.

Are all of your shoes handmade ? 

Yes. All shoes are hand made. even in China ! but of course the process we use here in Europe is more hands on and little details are watched carefully.

Which era’s do you draw inspiration from ?

I love the 30´s and 40´s because it was a very down to earth times and fashion was very utilitarian. Also enjoy the late 70´s and early 80´s for the fun and funky of disco and the explosion of youth. MG_06092

What would you say sets your style aside from other shoe brands ?

Comfort and the very personal style. I never look to what other brands are doing, I dont care. I only look and work for my never ending joy of  creating ! can´t allow myself being too comfortable or relaxed, I have to be hungry at all times !

Do you like to listen to music when working and if so what inspires you ?

Always ! music carries you to another state of mind…sometimes when I´m creating, I repeat the same cd over and over again…

With your shoes stocking in over a thousand stores worldwide now, this must keep you super busy! How do you relax when you get the time ?

I have three children (15, 13 and 11) and my husband, we do lots of things together. I have a very balanced life. I don´t live in a big city, we are sorrounded by mountains and the beach …we are in the mediterranean, its really nice.

But, I´m a very active person, I don´t know what´s relaxing and watching tv…never do that.

I take work on weekends and thats relaxing for me !

How long have you been designing wedding shoes as well ? They are stunning :)

Thanks ! I started wedding shoes four or five years ago…it was an easy choice, because my shoes are already romantic. Some clients would do the white combination and i decided to do it myself.

Could you give a bit of advice to new designers out there ?

You have to work hard on exploring your creativity. Develop techniques to get more original ideas and concepts. Don´t copy other designers! keep your personal integrity ! be original !

tomillo-tanasha-tamaia1

Good looking shoes designed by a very inspiring woman ! Thanks so much, Chie.

I love the fact that Chie focuses on her own idea’s and remains unique !   

You can follow Chie Mihara on Twitter – @ChieMiharaStore, become a fan on Facebook and see more designs right here.

All images copyright Chie Mihara 2012.

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INSPIRE ME – with Paris – Coldplay’s Artist in residence.

A few weeks ago, I talked about my evening at the Coldplay concert at Emirates stadium on the leg of their Mylo Xyloto UK tour.

As my husband is currently working with them, myself and a few friends went to their show and our first impressions of the huge stage area were all literally “WOW”.

We were completely blown away by the graffiti artwork, the enormity of it all and how totally captivating it was. A massive beautiful work of art !

This week for ‘Inspire Me’, I feel very lucky indeed to be interviewing the artist who has created all of this – Paris, and to find out more about his artwork, inspirations and plans for the future as well as what it is like to be collaborating with Coldplay, one of the biggest bands on our globe…

Firstly, Paris, what an amazing gig to get ! Please tell me how your collaboration with Coldplay came about ? 

I’ve been so lucky to land what I reckon is one of the best jobs in the world !….

The band already had an interest in graffiti , but they wanted to meet a real graffiti artist… I was recommended through a friend of a friend.

I met the band, we had fun spraying in their studio, and before you knew it we were painting the Album cover for Mylo Xyloto and getting jetted around the world to paint all kinds of things for their shows !…

 How does it feel having 50,000 people a night at the Coldplay shows looking at your graffiti work ?

It’s an amazing feeling, I got to see quite a few of the Stadium gigs last month in Europe, and the other week in Manchester was one of the best yet… the whole show, the whole production is incredible ,so just to be a part of that is great…when I think how many people see it in just two days its staggering…and our artwork is hard to miss, it’s all over the stage, instruments, screens & stadium !

My husband, Andy, is blown away by your speed ! You turn Chris Martin’s piano and Will Champion’s drum kit into pieces of art so quickly. Do you pre plan what you are going to create and do you always work at a fast pace ?

I think working fast keeps you on your toes, and it gives your artwork an added vitality.

This is what first attracted me to graffiti as a kid, when it’s done well it has a lot of visual power.., and a lot of this comes from painting at night, the thrill and the energy comes through in the work.

For the Coldplay artwork I’m creating a look that is playful and loose, and this can be a lot harder to create in a studio than it looks…one way of getting the right effect is to do it fast, get loads of paint & pens and just go at it !

At what age did you start graffiti-ing and what inspired you ?

I was about 7 or 8 when I first saw graffiti, in about 1981, at that time it was just Punk graffiti, stuff like the Anarchy symbol & “The Jam” & “Sis loves Saz” written on walls near my house, even then I remember it fascinated me, to think who did this ? and when did they do it ?..

By about 1984 there was a lot more breakdance style graffiti around Hull, and this was more colourful, that stuff I loved.

In the middle of a housing estate you’d see “Egyptian Lover” in 6ft high letters in reds, oranges yellows blues & greens…I’d see this from the school bus every day….I just thought “I want to try that” it looked like so much fun.

Did you study art at college?

Yeah, I had a really good tutor at Hull College called Connie Littlefield, she taught a whole bunch of us Hull kids about the Great Masters & the great art movements..The Cubists, The Impressionists,  Art Deco.. all that.. and took us to London & Paris ( this is where I chose the name….in 1992 )..she really opened my mind to what was out there, really really inspired me…, after that I studied in Bolton for 2 years, then in Bristol for 2 more specialising in Printed Textiles for Fashion.

This was definitely the best course for me, so much looser than Graphics, and Fine Art was a bit too snooty…

I came out with a First Class honours so that was okay, but I had to build my business myself, and that took years !

 

Where did you used to do your graffiti art and do you know if any of it has survived the test of time ?… 

I used to live near a big park as a kid and like everywhere in Hull back then there where a lot of abandoned buildings.

There was an old boat house that we called the “Acid Hut” and this is where I did some of my early pieces with my mate Xenz and later we teamed up with an older lad called Eko. We painted an old swimming pool in the park too, the Lido, and the basket ball courts, it was good fun in there, not bothering anyone, and if you painted when Home & Away and Neighbours where on it was so quiet you had the place to your self and all the time in the world to spray. Sometimes the Park-keepers would chase us off but it was all good fun.

Most of those places have been re-developed or knocked down now, the handball court is still there but that gets re-painted every month or so…..it’s a legal graffiti wall now…haha.

I guess its the nature of graffiti to be temporal, even if it survives the test of time the weather will one day wash it away, there might be few bits & pieces around, maybe in someone’s back garden!

Your girlfriend, Milk, is also an artist, do you ever collaborate ?

Yes, Milk has helped me out a lot with some of the bigger Coldplay jobs, and we often get the chance to paint together at Festivals and on walls around the city. We met through painting, and our styles compliment each other well, I think it’s a match made in heaven ! X.

I’ve discovered French street artist Koralie and Swoon, from the States.. Are there alot of female graffiti artists in the UK ? 

I think there are a lot more female graffiti artists in general these days, though even in the beginning in 1970s New York there was Barbara 62 & Eva 62 and in the 80’s there was Lady Pink who still paints now.

I think it can be daunting for girls who want to paint, as graffiti can be a bit of a boys club, but the female influence is vital, I think it really freshens it all up. That’s how I met Milk, I saw her work and it was a hundred times more original than most blokes graffiti out there, with really beautiful colour combinations too.

Milk’s done a few pieces with my sister K184, and they also did a show called “Great Birds of the British Isles” with Amour and Dora who are also female artists.

How do you get inspiration nowadays ? 

Even if it’s just on the walk to my studio I’ve started noticing all these amazing marks on old walls and doors, and the effects corrosion can have on buildings. I find I’m looking at all of this around me with new eyes, I guess it’s just looking properly…, its always been there.

The Hockney show in April had a pretty profound effect on me..that was very inspiring, just the scale alone, it helped me see “the bigger picture”… a true master, and Jeremy Dellers recent show was also a real eye opener.

I find travel is one of the greatest sources of inspiration, wherever me & Milk go we’re always searching for the ‘down at heel’ bits of a city with Dusty shop fronts and old cafes.

We went all over Europe in 2010 and when we got back we just had hundreds of photos of old logos, shop fronts and bits of fabric !

 Are there any other artists/bands that you would really love to work with ?

I’d have loved to work with the Beastie Boys, as I admire everything they’ve ever done….

Jay Z would be cool to do something for, or I’d like to create something for a Detroit Label, I love that futuristic sound.

It would be pretty cool to create artwork for a sci-fi film …maybe just decor or graphics.

Your website www.paris1974.com showcases your paintings for sale – is this something you’re focusing on more now .. and what is happening for you in the near future ?

Yeah, now I’ve got a lot more time in the studio it’s really helped my painting to flourish.

This is something I really want to push, hopefully I can exhibit in London & further afield.

I find painting on canvas pretty scary, but you’ve just got to persist at it.  Doing a wall anywhere, in front of hundreds of people is nothing to me, but I really feel the pressure with a canvas. One way to get over this is not be too precise about it. I’ve got a big wall behind my studio and I nail a load of canvass to this and then just go off!, have fun then work back into each painting individually over time. The work’s selling really well and the prices are rising so hopefully this is something I can keep doing for years to come.

The Coldplay work has made all of this possible, and a lot of my new paintings have been inspired by this collaboration.

Do you have any advice for aspiring artists ?

Keep doing what you LOVE doing, theres a lot of distractions out there, but if you feel that art & creativity is your chosen path you’ve got to grab hold of it with both hands, Hockney’s work showed me that , he’s 70+ and all he’s been doing all his life is painting & drawing and being creative..and his work shows it, and its all totally possible, you’ve just got to believe in it, no-one will make it happen – but you.

Thanks so much to Paris, for giving me this interview and us all an insight into his life and inspirations. Really interesting, eh ?

If you would like to find out more about Paris’s artwork for sale, head on over to his website www.paris1974.com – that’s where I’m off to …. :)

All images are copyright of Paris 2012. Thanks Peeps

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