Posts Categorised: Design/Interiors

2014 Rustic Trends – Tactile Textures

I was doing a bit of searching around recently on t’internet for trends this year because we’ve been doing some work on our home.

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Rustic is a top trend for 2014 so I have put together some images of what I would use for a bathroom with tactile textures.

I really like this Cambridge Free Standing Bath from C. P. Hart Bathrooms. I would ideally have some exposed brickwork which really breaks up a room, adds extra character and accentuates the shape. I do have some in my sewing room but would’ve loved to been able to do this in the bathroom too. I do like a splash of colour so would go for a wooden floor – and would some boldness in the accessories – like this Liberty London floral fabric for the blinds and some chunky towels.

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The board is on my Pinterest ( I strongly recommend doing an inspiration board if you are thinking of designing a new room ) of how I would accessorise with this bath – and have added some of the pics to this post too.

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A lovely earthy candle scent would add to the overall feel of the room – and a few pops of colour dotted around against the white walls to finish it off and a heavy duty wire rack. I don’t think you can go wrong with an old style radiator – again, this one is by C. P Hart Bathrooms – who incidentally have a broad range of bathroom showrooms, ideal to gain some inspiration and get a true appreciation of the look and feel of their products. Also, for professional and interior designers, they have a trade section on their website that is well worth exploring. if you need some when you come to do your own bathroom.

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This post is in collaboration with C P hart – all opinions are my own.

Ugallery – LucyLovesYa Guest Curator

I was asked by online art gallery Ugallery to guest curate on their website and also pin my current favourite pieces to Pinterest.

They have some beautiful work from talented artists for sale so it was an absolute pleasure to do so.

Ugallery have over 1million Pinterest followers so it was also incredibly flattering that they asked little ol’me. :)

Started up 7 years ago by Stephen, Greg and Alex, when the world was dominated by high end galleries and established artists. They decided to bring together artists, clients and their customers in a way that hadn’t been done before, allowing anyone to access high quality affordable art by emerging artists.

Now, they sell to 35 countries and represent 500 artists.

Do pop on over to and have a look at my page with all of the artwork chosen, on their website. I feel quite proud of it. :)

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All images belong to Ugallery.

Fab Finds

It’s been ages since I posted a little collection of favourite finds. Really should do it more often as there are so many beautiful designs out there, and talented people.

Here are 5 things that I am currently drooling over ( I apologise now for the image in your head on that one ) …

Viva Designs who are on Not on The Highstreet stock a fantastic range of printed retro phones. My old vintage style phone is falling apart … hmm ..

Wowzers ! The colours, images in this Japanese inspired print. How could it not make you smile every time you study it ? Rosie Wonders is a website brimming with cute, eye catching products. I think my girls would be all over the temporary tattoos. :)

Luna and Curious have some beautiful things – this scarf is printed in Japan using a hand printed technique. Apparently, it’s called Furoshiki which is which is used several different ways including as a scarf, for wrapping a gift ( lucky person ! ) or for attaching to a handbag.

The dolls on the Lapin and Me website are so adorable. I could look at them for ages. It’s the combination of colours with the sweet little faces. Aww.

I must have at least ten tape measures dotted around the house. I love this though. I’m pretty sure any sewing enthusiast would. It’s from Liberty London in Margaret Annie print.

What do you think of this little selection ? Has anything caught your eye recently ? Leave me a comment or tweet me @lucylovesyablog

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This weeks project plans …

I have two personal sewing projects on the go this week – one is a very simple vintage style dress in either a large black and white polka dot or leopard print, for my Birthday celebrations. The other is 2 roman blinds for the kitchen in red and white gingham. We’ve lived here for 4 years now and I have only just got around to making them. A plumbers tap always drips ?

 

 

 

 

 

Because the third window is really wide, we had a roller blind made up in the same fabric but I can’t get out of making the other two. :) Not sure whether pom poms for the romans will be too much, but will give it a try and see.

There’s also project number 3; wooden chairs for the kitchen table that need reupholstering and painting. They are currently all colours of the rainbow, covered in tester pots. I love Designers Guilds colours, especially their bold ones. I want the colours in the room to be contrasting.

The upholstery fabric will need to work with the paint colour and the gingham blinds too – I love a bit of clashing, but don’t want to create something that will end up making us feel nauseous !

These fabric prints are really nice and kitsch, Love the map one from Fabric Rehab and the patchwork one is from Fancy Moon fabrics. Maybe though, something floral would work better.

Once all done, I will blog it ! I should also mention, that after over 2 years of blogging, there is finally a follow option for LucyLovesYa ! It’s the top right hand side of my home page. If you’d like to ready my updates – please do add your email.

Hope you’re having a nice week so far, what are you up to ?

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Teacher Gift Ideas !

Teacher gifts flowers plantsFinally, the Summer holidays are upon us. Woo flippin’ hoo ! It’s helpful being able to focus on sewing when the kiddies are at School but the best thing ever is just spending time with the girls and hanging out. So far I’ve completed my second 5k this weekend with my bro ( they were brilliant supporters, cheering at the side lines along with my Mum and Sister ! ) and we’ve painted the new Summer house in the garden. It was my youngest daughters last day at Pre School on Friday – a very bitter sweet milestone. She has had the most amazing, lovely teachers and has really flourished there. She’s ready though to move on so it’s all good.

How do you say thank you ? I’m sure they receive lots of choccies and wine so I got them some plants and put them in teeny terracotta pots. It was nice to get everyone a little something and it didn’t cost too much. kid sewing patterns

It’s scary how fast the years pass – I can’t believe both my Daughters are so grown up now. I was having a little sort out of their clothes recently and found the first dresses that I ever made them when I was learning to sew – McCall’s M5033 and Simplicity 3510 patterns – they were huge a few years ago and now they’ve pretty much grown out of them !

That’s why we’re going to make the most of the next few weeks  – quality time and we’ll make sure we enjoy every moment !

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Inspired and tidy !

Remember the Inspiration Challenge that I ran up until last month when the lovely blogger Cassie Fairy took over from me ?

Well, Cassie found some beautiful vintage sewing machines for May’s project and I immediately knew which fabric from my stash to use for this – but wasn’t so sure as what to make.

After a day of sewing last week and searching for my scissors under piles of material what felt like the gazzilionth time – the light in my little brain went on – ping ! A scissor tidy – Oh yeah ! Also good for keeping them out of harms way if you have kids.

I quilted it as you can see –  …. it’s kind of hypnotic once you get going :) I used a pretty pink cord on the backs, no-one is going to see it but I know it’s there. The bias strings can attach to two hooks – I guess you could also back put a sturdy back on it and do something really fancy like put it in a frame. Hmm – why didn’t I think of that at the time. That would look cool. Sewing through all the layers at the base with the bias was a bit of an ordeal but only because it was half term and I’d lost my marbles slightly, I am normally neater than this – ( I like to think ) …. :)

Anyway, Cassie has her post up now with everyones offerings for this challenge and they are fab – really impressive. I just love seeing lots of different perspectives and all the talent around. She also has the fresh new challenge for June – Beautiful beach huts ! – here’s the link. Take a look and maybe get involved … :) What would you make ?

Have a nice day and hope you feel inspired !

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Ps – only 1 more day to go to enter my Fancy Moon Fabrics Giveaway where the winner will receive 3 metres of their chosen fabric. Enter here. :)

Make Roman Blinds – a Tutorial

As promised recently, having shown you my new sewing room roman blinds – here is a tutorial on how to make one for yourself. I’ve had some emails and tweets asking where my fabric is from – Kingdom Interiors and it’s Perroquet by Nina Campbell.

Before we get started, you will need:

Main fabric ( we will work out how much shortly.. )

Interlining ( Optional )

Blind lining fabric

Thread and sewing needle, scissors, pins, fabric chalk, tape measure, scissors, sewing machine, staple gun

Wooden baton cut to size inside or outside recess

Dowel rod and base bar – both of which you will need to cut to size.

Eye rings, blind cord, blind acorn, screw eyes and 1 cleat with screws.

All of these things should be obtainable from your local fabric shop, if not, try eBay.

Measuring up

Main fabric

You will either want the blind to sit inside or outside the recess. As you can see the one I made sits outside. You can do either as I have instructions here for both. Either way this tutorial is based on you using a 20 mm deep wooden baton. There are other methods but this is how I like to make them. If you are going outside the recess, the width of the window sill is your guide on how wide to make the blind and cut the baton.

Whether making for inside or outside the recess – measure vertically and horizontally , the top of the blinds will be stapled to the very top of the baton so remember to add allowances in the fabric length for this –  plus 5cm for a return at the top and 12 cm hem for the bottom. Each side of the blind will need 5cm return = 10cm total.

Work out all of these measurements below before buying your fabric to ensure you have enough – make sure too that your fabric width is wide enough for your window. Unless you have a plain fabric or a non obvious pattern you won’t be able to use the fabric sideways.

Horizontal: Desired width of finished blind + 2 x 5 cm ( 10 cm ) = Total width to cut.

Vertical:  length from very top of baton down to window ledge or desired finished drop + 17cm ( return and hem ) = Total length to cut.

NB. Before you cut, if the fabric has an obvious pattern – make sure you have decided on which parts of this you want to use and that you have it the right way up. In other words, frame in your mind the finished blind and how you want the it to look. I made sure on mine that the birds were as central as possible.

Interlining ( optional )

Same measurements as main fabric. I like to use this as it makes the blind more sturdy and it blocks out some light. You could use black out lining instead if you are making a bedroom blind – this will make your room much darker when they are down.

Lining fabric

Horizontal: Finished width + 4.5 cm either side ( 9cm ).

Vertical: Finished drop + 5cm return for top edge.

You will also be adding rod pockets to the lining – so will need to also add on 2.5 cm per pocket ( dependent on size – the larger the blind the more rod pockets will be required )

Putting your baton up

I recommend cutting to size and stapling the rough side of your velcro on to the top before doing this. You can always do it afterwards but if you have little space between baton and ceiling it will be trickier once it’s up.

Making the blind

Cut out your fabrics. Double check you have the right measurements ( above ) and go for it. Do the same with your lining fabric.

Starting with your main fabric – lay out flat with wrong side facing up. Place the interlining on top of the main fabric so that all corners match up and press both sides towards you by 5 cm. The interlining should be sitting inside the main fabric. Snip the corners ( see pic below ) off the interlining at the bottom of the blind to avoid too much bulk later when you mitre them ( you will see what I mean .. ). Then fold the lining fabric in by 5cm each side too and press.

Now, you need to work out where the rod pockets are to be sewn in on the lining fabric.

To give you an example – my blind has 3 rods and so is divided into 7 sections ( the number of sections is always the number of rod pockets multiplied by 2 then add 1 ) from the base of the screw eyes to the bottom of the finished blind is 121.5 cm so divide this by 7 and each section measures 17.4 cm – therefore the spacing between each rod pocket is 2 x 17.4 cm which = 34.8 cm.

Making sure the wrong side ( the side you have pressed the seams into ) of the lining is facing up Stick a pin where each rod pocket is going to be and then mark 125mm either side of each pin. One by one, fold and press each pocket so that the marks are facing each other ( each ” loop ” should total 2.5 cm ), press them and then machine sew all along the widths of the blind. You now have your rod pockets.

As above, lay out you main fabric ( if you have added interlining this should still be sitting inside ) with right side facing up. Lay the lining on top, wrong side up – checking that the top and bottoms of the main and lining fabric are adjacent and that the lining is placed centrally, you’ll find that the lining is just short in size of the main fabric – about 2.5 cm each side. Ease out any wrinkles, then mitre ( fold corners ) the bottoms of the main fabric inwards ( this is why you cut the the corners off the interlining ) so that they are the same width as the lining and pin to the main fabric. Machine sew a 1 cm line along the width off all of these layers to hold them together.

Turn the main fabric and lining out the other way so that the right side of of each is on the outsides. The interlining is now in the inside, still folded inside the main fabric. Pull the top of the lining up so that it matches the top of the main fabric and ease out any creases in all layers and then pin all along the top and sides. The recess bottom of the blind should look like this:

Give the blind a pressing all over. Double check for any creases because you are next going to machine sew a 1 cm line all along the top width of layers. Once you’ve done this, either machine or hand sew the soft side of the velcro all along the top of the wrong side of the blind ( above ).

Place the base bar inside the bottom of the blind. They generally come in metre lengths so you may need to cut to size.Now, from the very bottom of each side, herringbone stitch the reverse of the main blind to the lining. Don’t yet stitch up the rod pocket as you haven’t inserted them yet :)

Hand sew eye rings 5 cm in on each rod pocket and then space others in between, depending on how many cords you are using vertically, to pull the blinds up ( I used 3 on my blind ) and then stab stitch just under each of the rod pockets. I tend to do two stitches as find it holds all layers together better, especially if you have interlining.

Insert your cut to size dowel rods and then sew up the ends of the rod pockets. 

Screw the screw eyes into the base of the baton. They need to be directly above the threads and one above the cleat – time to decide here if you want this to be on the left or right of the window. Screw the cleat in half way down the window ready.

On each bottom eye ring attach a cord by tying a knot and then thread up through each eye ring above then to the left or right, dependent on which side the cleat will be.

Putting the blind up

Velcro the blind together at the top. Now cut and thread the blind cords up through the relevant screw eyes above and then if going left thread all cords through each screw eye including the one above the cleat or vice versa if you are going right. Gently pull all cords down at the side so that the they are all taught at the back and threaded without any loose cords and then braid all cords together down the side ( this is for safety too ). Cut the braid where the cleat is and attach a weight on the end by threading the plait through and then knotting it underneath.

When you pull the braided cord the blind should pull up evenly ! It might take a few days to sit “right” so I recommend leaving it up for a few days for the folds to settle.

INSPIRE ME – with Horace Panter

Today, ‘Inspire Me’ is with Artist Horace Panter – whom you may well also know as Sir Horace Gentleman, bass player with Iconic Ska band The Specials.

Horace already had a Fine Art degree under his belt when he joined The band in 1977 and so it was just a matter of music, tours and an interesting teaching role, before he would produce his own icon inspired artwork. The first public exhibition of many took place in November 2011 with great response and there are plenty more to come.

News of a 2013 tour with The Specials is out, so all in all, next year is sounding good too.

I could’ve asked many questions to someone with such an interesting and varied life to date – but I managed to narrow them down and hope you enjoy …

You studied art before even joining the Specials – you had your first exhibition at the Strand in London only last year – what has the reaction to your work been so far ?

I think it has surprised people. There have been a lot of positive responses and Iʼve been taken a lot more seriously than I was expecting, you know, the ʻsemi – retired rock star with too much time on his handsʼ reaction, but itʼs been more like ʻwow, this guy can actually paint !ʼ

Do you think it’s important to study your craft at college or university, be it fine art or whatever you choose in life ?
If youʼre going to be a doctor or an architect, then yes ! I suppose it depends on what sort of artist/musician you would like to be. Francis Bacon, for example, never went to art school. It has helped me, I know that, by giving me a credibility I would not otherwise have had. Also, a grounding in Modern Art History has helped but you donʼt need to go to university to study that.

Has working as a musician developed you as an artist – and vice versa ?

Only in as much as it has enabled me to travel and visit art galleries and find inspiration from around the world. No, thatʼs not all, if I wasnʼt a professional musician with lots of ʻdown timeʼ I wouldnʼt have the excess of free time to paint. When Iʼm rehearsing in the studio or doing a gig, I have to fit into a team and concentrate on what works best for the group; when Iʼm painting, Iʼm solo, making all the decisions.

When you are painting do you like to surround yourself with solitude or paintings and music ?

Preparing boards and preliminary stuff I can listen to music, but I canʼt multitask very well; I could never do my homework in front of the TV so, when Iʼm painting, I like solitude.

Did you design The Specials logo ?

Not entirely. Jerry did the two-tone man and I did the 2 -Tone Records bit.

You were Head of Art at a school for autistic children for ten years – how did this come about and did any of the students work inspire you ?

I went into the special needs school as support for one specific pupil. As he settled back into the school, I was ʻabsorbedʼ into the staff and once it was discovered that I had an art degree  (the art teacher was really a PE teacher who took the job because no-one else wanted it … yes, school is like that! ), I was offered the job so a bit ʻunder the radarʼ really. It was a fantastic experience, especially dealing with children on the autistic spectrum. It made me change the way I viewed art – to make it more immediate.

Who and what are your biggest influences ? Is this ever evolving ?

Musically, most stuff on Tamla/Motown and Stax/Atlantic, Chicago Blues and Dub Reggae. Artwise, the list is longer – Henri Rousseau, (Sir) Peter Blake, Wayne Thiebaud, Mark Rothko, Kenneth Noland, Robyn Denny, Jean-Michel Basquiat, Andy Warhol, Roy Lichenstein, James Rosenquist – mainly American 1960s artists, but they, the 60sʼ, were my formative years. Lately, I think Iʼm like the Borg out of Star Trek inasmuch as I accumulate everything and it becomes a source for work. I like the phrase ʻappropriation and subversionʼ!!

As a bass player and teacher you are in a supporting role – how does it feel to be the front man ?

The art career is my ʻsolo albumʼ. It is a different kind of creativity.

Are there certain galleries that you look forward to visiting when you’re on tour ?

Oh yes ! There is a probability we will be in New York towards the end of summer. I have never been to the new MOMART. The year before last, we were in Europe and the Ludwig Museum in Cologne was fantastic, as was The Hamburger Bahnhof in Berlin.

Is you work influenced by pop art ?  What do you love about it ?
To my way of thinking, Pop Art was to Art History what Punk Rock was to Rock and Roll. You had Abstract Expressionism, which was very elitist and metaphysical ( I love Rothko by the way ) and then along comes a guy with a soup can ! My work is heavily influences by traditional iconography and the word ʻmundaneʼ is used a lot in iconography as it is in Pop Art. ʻElevating the Mundaneʼ is one of the tropes of Pop Art and a lot of my work looks like Pop Art. Peter Blakeʼs technique and his use of colour are also big influences.

I love your cassette paintings, they really remind me of my treasured mix tapes  – if you were making up your ultimate mix tape of 30 minutes / 10 songs.. what would they be and why ?

1. Road Runner, Junior Walker and the All Stars

2. All Down the Line, Rolling Stones ( off Exile on Main Street ) !

3. Too Much Alcohol, J.B. Hutto and the Hawks

4. A Little Bit of Love, Free

5. Outta Space, Billy Preston

6. Dub Tree, Joe Gibbs ( from African Dub Chapter 3 )

7. Trampolene, The Spencer Davies Group ( worldʼs greatest B-Side )

8. PCH, ZZ Top ( great driving music )

9. China Girl, David Bowie ( with Stevie Ray Vaughan channelling Albert King )

10. Pour Me One More Drink, Robert Ward ( the Blues – for real )

What inspired you to write your book  – Ska’d for life ?

I had these two diaries from our US and Japanese tours and my parents had collected 11 scrap books full of Specials and Two-Tone related press. I was always the one that people were being directed to: ʻAsk Horace, he remembers stuff like thatʼ. There had been a couple of ʻfan-relatedʼ attempts at writing about the band but I thought they were far from accurate and no-one in the band had done it … so I did. Also, I twisted my ankle during the summer holidays and had fuck all else to do !!

Could you offer some words of advice for any aspiring artists and musicians reading this on how to fulfill their dreams ?

Self belief and persistence. Oh, and a good manager. Thatʼs A GOOD MANAGER!!

Do you have any exhibitions coming up ? .. and will The Specials be touring next year ? I will look forward to both..

By the time you publish this, The Specials May 2013 UK Tour Dates will have been announced. In 2012 I had 14 exhibitions – great fun but too much! In 2013 I am discussing exhibition dates in Liverpool and Glasgow in the early months and have one pencilled in for Number 9 Gallery in Birmingham for the summer. As soon as I have confirmation of any exhibitions the dates are published on Twitter and Facebook and also in the ʻHoracePanterArtʼ quarterly newsletter … all the logistics are handled by Clare, the woman I love !

A massive thanks to Horace ( and Clare ! ) …it is an honour to interview someone whom I have grown up listening to and loving their music, and now am very inspired by Horace’s artwork too.

You can see more of Horace’s work on his website – www.horacepanterart.com Follow him on Twitter @horacepanterart and you can become a fan facebook for info on upcoming exhibitions and shows.

All images copyright Horace Panter 2012.

Leave me a comment here to say hi or tweet me – @lucylovesyablog I’d love to hear from you :)

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Giveaway ! WIN this MiaFleur silk Floriography cushion worth £65 – CLOSED

 

 

 

 

 

 

 

 

A new day and a super giveaway !

I’m rather taken with new online homes and interiors Boutique MiaFleur who are very generously offering up this 16″ x 16″ Floriography 100% silk cushion worth £65 as the prize. A very opulent treat for yourself – or a really thoughtful gift for someone lucky in your life, eh ?

The centre panel is machine embroidered with the words “Happiness is to hold flowers with both hands” … hence the name “Floriography” meaning the language of flowers ( I didn’t know that, did you ? ). MiaFleur love that flowers have their own language and can represent so many different things. The cushion has a beautiful raspberry red border with a cream centre panel. The filling is feathers, and it has a button back fastening.

 

 

 

 

 

 

 

 

www.miafleur.com launched recently to fill a gap in the market for truly indivdual homewares with a strong emphasis for items made in Britain. You can expect a quirky mix of handmade textiles, decorative mirrors and pictures, home accessories and gifts, reclaimed and vintage furniture and some incredibly weird and wonderful handmade ceramics.

Scouring the countries craft and design shows, hand selecting the very best in quirky interiors from British designer makers – MiaFleur have a penchant for eclectic styling and a desire to stand out from the crowd.

By the way.. this Tuesday 11th – MiaFleur have a pre – Christmas sale starting with some items marked down by up to 25 % ensuring everyone gets some great gifts at brilliant prices…

To get yourself entered for this giveaway there are just a few things to do.. and they are:

1. Make sure you are following @lucylovesyablog and @MiaFleur_home on Twitter

2. Sign up to the MiaFleur newsletter for special offers, latest products and a free gift with your next order. To do this – click here 

3. Tweet or facebook this quote:

I’ve entered the @lucylovesyablog giveaway to win a gorgeous @MiaFleur_home silk cushion worth £65 check it out ! www.lucylovesya.com 

4. Leave me a comment under this post to let me know you have done the above – and to validate your entry.

You’re done, dusted.. and entered !

T’s and C’s

The winner will be picked at random on Friday 14th December at 6pm – and notified by email.

This giveaway is open to UK residents only – more overseas giveaways coming soon !

Prize not redeemable for cash and no alternative prize offered.

P and P supplied by MiaFleur

One entry per person

Thanks for your entry… and good luck !

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INSPIRE ME – with Zakee Shariff

Zakee-portrait-by-AL-Newman-copyThere’s nothing like artwork that makes you feel happy.

Having luckily discovered the artist and designer Zakee Shariff a little while ago during her collaboration with fashion website ASOS – I fell in love with her work. Vibrant art, cool designs – and always with a positive message.

With her cult following – Zakee’s clothing collections have sold globally and she has worked with many fashion brands including People Tree and Urban Outfitters.

She has had a versatile career so far having also worked as a stylist, in publishing, as an art director and interior design – amongst other avenues.

I am ever so slightly in awe and hope you enjoy Inspire Me today with Zakee Shariff !…. a-to-zHighRes

You started out with your own clothing label as well as doing your art work – How did you get into fashion design ?

I had never thought of starting a clothing label and a dear friend who is one of the owners of a mens and women’s clothing label called YMC You Must Create, convinced me to start my own label and very kindly introduced me to various contacts to enable me to make it happen. It all just kinda unfolded.

I always knew I wanted to work both as an artist and a designer. My training was in printed textiles but it was very much rooted in painting and drawing and abstracting from that into design.  So it was a great way to explore that process, and learn about the business side too. Youth_0510

You’ve worked with textiles, fine art, illustration, styling, interior and product design.. and you’ve also been an art director – has this worked out as a natural progression ?

Definitely. One led to another and another and back again, like a creative dance.

 

Is there one particular field of design that you enjoy the most ?

I enjoy all the different design projects I have been blessed with doingI love designing textiles. Peace-heart-cushion-small

 

There are very positive messages within your designs – is this something that is important to you ?

Yes it is, I hope my work can give people joy and maybe help them to think more about the world from a different perspective.

 

Your collaboration with People Tree is going really well – how did this originally come about ?

 A lovely friend if mine Vickie Snow from Snow PR introduced me, as she thought we were a match, and we all just clicked. They are lovely to work with and very inspiring in the the way they are able to create everything they do ethically correct.

Safia the owner tends to sit with me and we go through old prints of mine and we brainstorm and I then recreate the prints and make some new ones and then her team and i work together to get them right. I don’t get involved in the garment shapes and styling….its purely a focused and joyous experience of drawing, making patterns and colouring them. And  I create the prints and we work on colours together.

 

Having worked with ASOS, Urban Outfitters, Japanese store MAYZ, Roxy Heart.. to name just a few – what do you enjoy the most about collaborations ?

I have such a love of collaborating. I thrive when I work with another creative or a team of people and make a vision come alive. That is very fulfilling and inspiring to me.

 

Describe a perfect working day for you ?

Drawing, painting or screen printing listening to some great music in my studio – loud ! main_8bd11_MOVEMENTANDCHANGEOFTHEj

 

What kind of music do you listen to ?

I love listening to all different types of music when I work,  it depends on the mood I’m in.
I’d say when I’m printing however,  I like to listen to loud Hip Hop, Soul, R n B, Dancehall and reggae.. a bit of a soul girl then, eh ?
                                                                                                                                                                                                                                                
                                                                                                                                                        Can you offer some inspirational advice on how to get into fashion design and textiles ? 
Be honest to your creative vision, ask questions, ask for support there are amazing beings out there that do want to help. Work hard, research and give your self permission to have fun and make mistakes. Do choose to do work experience, it’s the best way to learn. Knock on doors, as you find your path and follow your instinct. Have a clear vision of what you would like to achieve, even if its a really basic feeling and the rest is unsure, get in touch with the ultimate desire. That sets you on your way for sure. main_758bc_PEACE2j

What are you working on at the moment and when will we get to see it ? :)

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I’ve just created a few prints for a great new kids collection called Ruff and Huddle. www.ruffandhuddle.co.uk The collaboration is for AW13. I love making prints for kids.

I’m creating a new print for my lovely friend Nick who has a beautiful womenswear brand. Studio Nicholson. www.studionicholson.com. It’s a very chic minimal collection.

I’m working on two personal projects. One is product based and the other is a group of new fine art screen prints.

The rest is pending research that I am doing.
Thanks Zakee :) Full of talent – and what a lovely person ! If you’d like to see more of her work online – go to www.zakeeshariff.com, become a fan on Facebook for updates and/or follow her on Twitter !

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